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Andromeda by Therese Bohman

Literary fiction

Andromeda

by Therese Bohman

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Quick take

A publishing assistant and her boss form a complex relationship based on fervent ideals about art, culture, and power.

Highbrow

Good to know

  • Illustrated icon, Multiple_Viewpoints

    Multiple viewpoints

  • Illustrated icon, Cerebral

    Cerebral

  • Illustrated icon, Book_About_Books

    Book about books

  • Illustrated icon, Under200

    Under 200 pages

Synopsis

The publishing house is anchored like a ship along Stockholm’s main street, a large, bright building with an impressive rooftop terrace. The facade is a grid of wood and granite; flags with a cursive R sway in the wind. R as in Rydéns.

A young woman starts as an intern at this venerated institution, and over many years gains more and more responsibility for its authors and books. All under the supervision of Gunnar, publishing director of the most prestigious imprint behind the finest literature, Andromeda.

Over time their work relationship transforms into something neither of them can truly define. Perhaps built on mutual trust? Or is it something else?

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Get an early look from the first pages of Andromeda.

Andromeda

The publishing house looks like a ship moored in the city center, a large, pale building crowned with a roof terrace. The facade is a grid of wood and granite, and flags flutter in the wind, adorned with an ornate but resolute R. R for Rydéns.

It is on the roof terrace that the parties are held. Standing up there you feel as if you own the entire city, as if everything is lying at your feet. Slowly you are enveloped by the twilight, which creeps closer and closer as the hum of conversation grows louder and the countless fairy lights begin to glow. Young men in white shirts and black waistcoats stand behind the bar, they pour a glass of chilled white wine and place the glass on a small paper coaster bearing the same R as on the flags: gold leaf against a cream-colored background. It is said that one such coaster was found among Strindberg’s effects after his death.

The autumn party marks the real beginning of the publishing year. Anticipation fills the air, like at the start of a new school semester, and this season’s authors mingle nervously, with the hopes of the finance department weighing heavily on their shoulders.

But the spring parties are the best, those are the ones that are legendary. You stand in the endless May evening, watching the dusk slowly descend over rooftops and church spires, and everything feels like a game. It doesn’t matter if we employees have a little too much to drink, because on this occasion we don’t have to be representative and professional, we are allowed to celebrate the year that has passed, the prizes and nominations that were acknowledged only with the obligatory cake at coffee time in December because everyone was so stressed in the run-up to Christmas, the spring debuts that have gone better than we dared hope. We forget that several weeks of hard work lie ahead, with everything that has to go to print before midsummer, the final edits, the blurbs for all those back covers, the proofs, the manuscripts you fall asleep over and eventually almost know by heart, those that will generate fresh acclaim and nominations in the autumn. We help ourselves to another glass beneath the vast lavender-colored sky.

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Why I love it

I remember my first day working in publishing: staring up at the shiny facade of a building in midtown Manhattan, wearing some strange attempt at “corporate” cobbled together in the fluorescent depths of TJ Maxx. Basically The Devil Wears Prada, except the Devil was a huge slush pile of manuscripts and the Prada was that literature-themed tote bag I just had to have. Many years and countless manuscripts later, Andromeda reminds me yet again why literature, and its pursuit, is such a vital compulsion.

At Rydens, a storied publishing house in Stockholm, Sofie starts out as an intern. Her incisive critique of a newly-published novel draws the attention of Gunnar, a legendary editor-in-chief. So begins a years-long professional mentorship and collaboration. Over weekly lunches at a bar near the office, Sofie and Gunnar exchange ideas about books, culture, and art. The tension between their professional relationship and the unspoken magnetism between them is palpable, but goes studiously unacknowledged. Time passes in a whirl of rooftop parties, successful book launches, and rave reviews—but as it always has, the world of books adapts to the culture it informs, and soon Sofie and Gunnar must navigate a new era in publishing and in their own lives.

The intimidating old-world glamour of a European publishing house comes to life in this novel exploring the complicated cultural and personal dynamics of the literary world. Andromeda deftly and incisively poses big questions about culture, power, and art’s role in challenging or upholding the status quo.

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January 2025
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Andromeda
The Three Lives of Cate Kay
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The Favorites
A Killing Cold
Isaac’s Song