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Every Sweet Thing Is Bitter by Samantha Crewson

Mystery

Every Sweet Thing Is Bitter

Debut
Early Release

by Samantha Crewson

Excellent choice

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Quick take

Thirteen years ago, she almost killed her mother. Now, she’s trying to save her—but is it already too late?

Early Release

Read it before it hits other bookstores on April 22nd.

Good to know

  • Illustrated icon, Slow_Build

    Slow build

  • Illustrated icon, LGBTQ_themes

    LGBTQ+ themes

  • Illustrated icon, Salacious

    Salacious

  • Illustrated icon, Graphic_Content

    Graphic violence

Synopsis

Thirteen years ago, Providence Byrd threw the family car in reverse and ran over her mother. Even though her mother survived, that single instant of teenage madness made Providence a felon and irrevocably altered her life. When her mother disappears years later under suspicious circumstances, Providence tells herself that returning home is her chance to find closure after a prolonged estrangement from her family. Never mind that this is only half of the truth: she’s also returning to finally confront her abusive father, Tom Byrd. Nothing can stamp out Providence’s certainty that he is guilty of whatever terrible thing has happened to her mother.

As the search unfolds, Providence is haunted by the wounds of her past, none of which cut as deep as the distance between her and her younger sisters. Harmony and Grace are both uniquely scarred by her attempted matricide, and both have their own idea of what reconciliations might look like—if reconciling is even possible. Harmony urges Providence to make their father pay for his sins; Grace begs her to end the cycle of violence that has haunted their family for generations. As her thirst for vengeance collides with her desire to heal her relationships with her sisters, Providence must decide which she values more: revenge or redemption.

Content warning

This book contains scenes depicting self-harm, child abuse, and domestic violence as well as mentions of sexual assault.

Free sample

Get an early look from the first pages of Every Sweet Thing is Bitter.

Every Sweet Thing Is Bitter

1

August 10th

1:36 PM

There is no sign welcoming you to Annesville. Blink and you miss it. The town begs you to forget it before you arrive.

Other tiny towns scattered across the Midwest comfort travelers with vestiges of a livelier past, like hollowed-out car factories, grain silos rusted from disuse, tracts of houses foreclosed upon during the recession. Annesville offers no such fragments of nostalgia. There are no restaurants, no parks, no schools, no doctors. Instead, there are three liquor stores lined up along the main road like unfelled dominoes, undistinguishable from one another but for the sun-faded signs in their windows, along with an abandoned gas station, a barber shop, and a mechanic’s garage. The post office closed unceremoniously when I was fourteen. An errand as simple as a gallon of milk requires a fifteen-mile drive north to the Long Grass reservation, just over the South Dakota border, or south to the town of Tyre. On every side, Annesville is flanked by endless beige prairie. We are in the Nebraska sandhills. No crops can grow here. God himself has salted this earth.

Five unpaved side streets branch from the main road like tributaries from their mother river. In a town of ninety-some people, there are no city services to plow the snow or collect the leaves or clean up the odd gutty mess of roadkill, which is often left to suppurate in the sun for weeks before someone is finally repulsed enough by the stench to scrape the decaying creature from the dirt. The lots are large, no fences between neighbors, the excess spaces filled with trucks, trailers, RVs, and even a handful of tiny fishing boats for catching walleye down at the Twin Lakes. Houses range from rundown to dilapidated. Rusted swing sets and knee-high grass decorate the front yards, along with a few signs urging voters to reelect the local congresswoman. Everyone has an American flag. Most people have a Gadsden flag.

In Annesville, no one moves away. People die and pass along their house to children who will also die there, a cycle spanning generations. My family is no different. We are the fourth generation of Byrds to live in the saltbox house on Cedar Street—or I suppose I should say they are the fourth generation of Byrds to live there. It hasn’t been my home in thirteen years.

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Why I love it

Come for the dramatic showdown between forgiveness and revenge; stay for the brilliantly drawn characters, tense plotting, and moody Midwestern aesthetics. Every Sweet Thing is Bitter is a stunning debut with more twists and turns than the winding dirt roads of its rural setting.

When Providence Byrd returns to her claustrophobic Nebraska hometown, thirteen years after she became a felon for running over her mother with the family car, she’s not expecting a warm welcome. While her mother survived that long-ago day, she has recently gone missing—and Providence is convinced her abusive father was involved. Add in Providence’s two estranged (and angry) younger sisters, the neighboring Long Grass reservation with its own agenda in play, and the same local law enforcement that failed the Byrd family thirteen years before, and you have the makings of a mystery you won’t be able to put down.

I’ve never met a protagonist who defies easy categorization as much as Providence Byrd: tattoo artist, devoted but estranged sister, queer woman, felon, loyal friend, and (attempted) murderer. If you’ve ever said “let female characters be complicated,” this gritty, tender, propulsive novel might just be one of your favorite reads of the year—it’s certainly one of mine.

Member ratings (116)

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The Sun Was Electric Light
The Griffin Sisters’ Greatest Hits
Every Sweet Thing Is Bitter
Passion Project
Six Days in Bombay